What Did You Do Today?

MJP and I moved my studio today. And now I can’t move a muscle. My achin’ back. Ow, ooh, ouch, and all that. I’m not the girl I used to be.

Now that that is done, there is a giant easel in my livingroom, because it will not fit in my garage. Somebody buy it please.

Up until today, I have been moving all the small stuff carload by carload while getting all the work completed for Goodbye Mrs. Beasley, which is finally done. Now I’m back to working on It’s Mostly About Me and Much Less About You. Back on track, but lots and lots to do. I have everything mapped out to do in 80 days, but can I do it is the question. It’s the stitchery that takes forever.

I am excited about going to Nashville. I am only going to be there for the weekend of the opening, but I really look forward to it – and some southern hospitality. There really aren’t people around these here parts like there are in the south. It’s damn refreshing.

Oh my, I really can’t get up from this chair. I am so wiped out, I can’t believe it. Someone get me some heavy duty pain killers and a stiff drink.

Rubber Soul

Renovation is almost complete on the new home studio, and the place I am now calling, “Rubber Soul.” I’ve run into a few major problems, but I’m solving them by throwing money at them. Not something I’m in the position to do, but I didn’t have a choice.

tiles

One of the biggest problems I ran into: my easel. My pretty much brand new David Sorg easel will not even fit under the garage doors at its lowest setting, let alone under the very low ceiling I am going to be working under – and there is nothing I can do about it. I’m forced to sell it and get something else. I’m waiting for the new one to arrive, and while it cost me a lot more than I would have liked, I’m actually very excited about it because not only is it a lot shorter, but it also adjusts completely flat. That’s a nice perk, I must say, especially since I just started a 9 foot wide piece and had to work on it on the floor and nearly busted my knees on the cement floor sticking the pattern paper to it. Even if I had to do it again in Rubber Soul, there is a rubber floor and I won’t ever hurt my knees like that again. Standing is going to be a bit better too. I put the rubber floor in because there are so many uneven cracks in the cement floor in the garage, this kind of evened things out. A problem solved if you will.

motherwellode2

I am moving 350 square feet into 230 that has stuff already in it. A problem I can’t solve by throwing money at it. It’s a problem I have to solve by getting rid of stuff and simplifying. This is something I want to do, I just don’t know how to do it before August. And how do do this, pack, and move without really interrupting my work flow? You tell me. I’m trying to work from both places right now and take a little bit home with me as I go back and forth so as to not make the move so bad. Where I am going to store all the blank canvases and panels is my biggest problem.

Anyway, anyone want to buy a slightly used Sorg?

That’s about it for now.

Clever Art, Timeless?

Hi everybody. I feel like I haven’t written in this blog about anything truly art-related in a long time. I don’t know why that is exactly. A mixture of depression/hibernation and fear, or perhaps indifference, laziness, forgetfulness and lack of passion. My passion has been redirected, rather. I used to bring my ideas out on my blog a lot. That’s what it was for. I’d keep track of my ideas and the art world in general. I had a lot of readers too. Now, not so much. I also had the feed piping through my Facebook page and it took me forever to figure out how to stop that. I found it just censored everything I really wanted to say, or I’d cringe after every blog entry, realizing it was feeding its way through Facebook. I don’t know why; it just made me throw up a little. Perhaps because I am too personal here and the mix of people of Facebook are just not exactly the right mix. I think if someone wants to read this blog, they should just come here and read it. They can read every word, or they can skim it. They can comment, disagree, laugh it off, shrug, roll their eyes, relate, kill time, or whatever they want and I don’t need to know who they are for the most part.

Anyway, today I was just checking in on the West Collection/Prize entrants, because I am one of them. They are going to post the 10 winners at the end of next week and I wanted to see what I was up against. There is a rating system where anyone can click on up to 5 stars for each artist. Most decent work has received 3 stars, and so I was digging deep to see who got the 4 and 5 ratings, trying to understand WHY. Not that the artists with these higher rating did not deserve higher ratings, but it got me thinking about a subject that I don’t usually seen brought up very often, but think about all the time: Aesthetics vs. Cleverness.

If I had the readers I used to have, I would love to open this up for a giant dialog, but alas, I have become a big nobody in the artblog world. My own fault really. I neglected it all for so long/shut down for a long spell a year or so ago, and lost most of  my visitors. I probably have 10 readers now, if that. Still, doesn’t mean I can’t kvetch.

I don’t just make art, I buy and collect art. I’d like to think I have a pretty great collection, well on my way to being a quite serious one. For me anyway, while I can appreciate the kitsch and the cleverness of contemporary art, I sure don’t want to collect it for the long term. So, I don’t understand why it gets so much more attention out there than something that is much more desirable to live with. I have nothing against it, and in fact I think it’s smart to incorporate it just a touch, but not enough to exceed beauty. Why has beauty in art become a tainted, cheesy word? Is art art anymore – that thing that moves your soul (as goofy as that sounds), or is art all about trumping art history and being the next sensationalist? What sort of artistic  item would you rather treasure in your life for the next generation?

Maybe it’s about knowing what is and isn’t timeless, like a good song that won’t ever go out of style. One that doesn’t sound like all the other “new” songs. There is something about traditionalism, but it needs a very good helping of originality, and maybe above all that, it must have honesty. Those are the things I am drawn to when I buy something to have in my home that I plan to keep for the rest of my life, whatever the medium.

So I guess this has just been on my mind a lot. The artists that get a lot more attention are ones that are doing something a little weird, a little crazy, quite clever and sensational, shocking, odd, so-simple-it’s-funny, ironic, kitsch, recycled vintage, anti-art, or just plan bad for the sake of it being bad on purpose. Not ALL of them, but a lot. It doesn’t make me angry or anything actually (if I sound mad about it, I’m not really). I think it’s curious and I only wonder if I am the weird one for still appreciating a beautiful painting.

Write Now

I really don’t have much to say. I’ve been painting. I’ve been under the weather. My friend’s father just passed away. I’m busy, but depressed. Holidays kind of suck. I’m cold. I need a shower. My legs hurt. I’m keeping busy. I got a part time assistant (who is also my friend). Things are moving along. I started my novel. I am getting organized. I miss avoiding my parents this time of year. I am mad at past boyfriends. I am sad about old friends. I look forward to 2010. I’m excited about upcoming work. I’m mad I haven’t quit smoking yet. I don’t like the shape of my face. My dogs annoy me. I love my boyfriend. My car is comfortable. I’m always tired. I wish I could have children. I’m glad I don’t have kids. I don’t have time to write in this blog right now.

 

Happy Holidays.

Another Long One

OMG. I’m having a hell of a time right now. Today is the first official day I will not be smoking anymore. I picked up the bad habit again about a year ago when my dad was dying. I have been able to quit for months at a time since then, but then another highly stressful situation would rear its ugly head, and I’d be right back, suckin’ em down again. I’ve given myself a break here and there with the illness and death of my folks, fights with my brother, depression over all of it, but then I was able to quit in August. I quit for a whole month! Why did I go back after I was over the worst part of withdraw and well on my way to a healthier future? I do not know! That’s when I noticed all the excuses coming in that were not nearly as justifiable as high stress situations. “I’m not quite ready to quit yet.” Or “I love smoking!” “It gets me to spend more time outdoors.” “It fits my personality better than not smoking.” “It helps me relax.” “It’s better than being addicted to heroin!”

The excuse list has just been really lame, so I set a quit date for November 20th. I know today is only the 19th, but I ran out of cigarettes yesterday at 3PM. Now I could buy a last pack today, and maybe even smoke them all so I feel like such shit, tomorrow will be easy. Believe me, I’m thinking about it, but I should probably just get a head start on this shit now.

Okay, enough about the Cancer sticks. What has been going on? If I wrote in this blog more often, you’d be able to keep up without having to read all this bullshit. But the truth is that I’ve been busy. I finished up those paintings I last posted. And I prepared my shipment for my Houston show at Koelsch Gallery. It went out yesterday. (The show opens on December 5th.)  It’s called “Float Without Moving.”

And I’ve been getting my studio (Moppet) all cleaned and prepared for the big Open Studios I’m having this Sunday!  Are you coming? Because I think I am so confused and out of mind mind from nicotine withdraw that I’ve cut my prices for that day to redonkulous amounts. Good thing this sale will only be one day because it felt like I was being stabbed when I priced some of this stuff. But, I’ll heal. I am determined to do anything to get you to own some art work. (Do I sound like a car salesman yet?)

It’s all day Sunday, November 22, 2009 from 9:30 AM to 5:00 PM!

I realize that a lot of other people on the Discover Tour are going to have very inexpensive art items that are very friendly and helpful for the holidays. Even with my prices cut, I am probably still not going to be in their range, but there are a ton of drawings of mine you can buy for 50 bucks, and plenty more under $300. Even a few paintings are as low as $650.  I may even bring in a few more significant ones and mark them under 1000. Maybe I’ll be nuts enough to trade for a drag off your cigarette! Nah, hopefully by Sunday, I won’t be as crabby as I am going to be today through Saturday.

In some unrelated news, I wanted to help promote my other half’s new special edition book, published by Chance Press in Oakland, Ca. It is a little hand-sewn chapbook about his first guitar entitled, “No. 2236 Flying Wedge.” If you are not familiar with MJP’s (AKA Michael Phillips) writing, this would be a good chance to get introduced to his style. Very few writers know how to write with a distinct personality intact and make it breezy to read – like it is reading itself. It takes a very special talent to do that. Bukowski had it, John Fante had it, and without being bias, Phillips has it in spades. He’s been hard at work on his novel for the last year and I am just sitting on my hands with excitement, waiting until I get to read the first draft – which is just around the corner. In the meantime, he bangs out little stories like “No 2236 Flying Wedge,” paints little sketches on the special parts of the edition in a day, and it’s whipped together faster than you can say to yourself, “I wonder if I should put out a little book.”