The World Did Not End

It’s three days before the end of 2012 and I think it’s safe to say that the world is not coming to an end. That is, unless North Korea does something stupider than usual. But for now, we are here. Life goes on. Death, a passing phase left for those of us that accept it, deny it, embrace it, or fear it.

I haven’t posted a blog post in ages because I have been so busy with new things. I finally managed to finish all the pages for the new, upcoming artist book I am doing with Neil Farber from Chance Press, but I have to withhold most of the images until the book comes out. However, I can show you this one:

In Other News...

“In Other News…” Watercolor and ink on Arches, 7 x 10 inches.

I did this back on the day after the election. It actually comes from a journal entry. Want to read it?

Hundreds of little volcanoes erupted this morning when Michael accidentally erased the databases that run on all our websites. Luckily, there is an old back-up that can save us the trouble of rebuilding, but there are three months of work completely destroyed. In other news, Obama is still the president. Prayers have been answered, but not with the House of Representatives. Barack waited until the wee hours of the morning to finally give his speech and I wondered about how it was possible for the crowd to continue to be enthusiastic, waiving their little flags, for hours on end. They must feel a lot happier about the election than I’ll ever be. Or maybe it is the sociology of the crowd. It reminds me of the religious beliefs I used to have, and do not have now. Ignorance is bliss. They say that for a reason. However, I do miss the confidence and the feeling of being powerful back then. Now I see how empty that was though. A lemming I was. I am more human than I ever was, and perhaps braver than I ever was. I have survived a lot and I can say with certainty that I like me better than ever. As I am building self-worth, I see how far I have come and how far I still need to go i.e. taking better care of myself – of my person. I don’t know why I don’t. I know I’m worth the effort, but I am lazy. Now would be a good time to begin taking care of myself, but the commitment still seems nearly an impossible task. What happened to how eloquently I used to write? Where are my metaphors and my poetic, ethereal finesse? It’s like an atrophied muscle. I haven’t used it in quite some time. A tiny morsel is still there, smoldering. Waiting.

I write some weird ass stuff sometimes.

I’ve also been working on some new oil paintings, here are a few…

Forgotten Place

“Forgotten Place,” oil on canvas, 20 x 16 inches.

walkabout

“Ruminant Walkabout,” oil on linen, 20 x 20 inches.

not

“The Adequacy of And and Not,” oil on canvas, 36 x 36 inches.

runawayboxweb

“Runaway Box,” oil on birch panel, 20 x 20 inches.

twogirlsredux2

“Two Girls Redux,” oil on birch panel, 20 x 20 inches.

I suppose those are a lot of paintings. Now that I post them, I see how much I’ve been working lately. I never usually even see that. I feel like I’m so lazy, but I’m not.

What else is new?

I am going to be in a group show at George Billis Gallery next month. The theme has something to do with toys, but I don’t know what the show is called yet. I am also going to be in a very important show at the Hebrew Union College at USC, which is called, “Intersecting Paths: Art & Healing.” I will have several pieces in this exhibit that tell stories about various ways I have overcome some hardships, as will all of the other artists in the show.

I suppose I am saving the best for last because I am probably more excited about this than just about anything else, which is the fact that MJP and I have been working on a new website for esart for well over a year now and it will finally be launching the first week of 2013! My site has not been updated for more than 12 years. It has had its same look all of that time, and in “web years,” that is a long fucking time. Soon my website will have a whole new look, plus new features that will knock your socks off! I plan to thoroughly promote the hell out of it as it launches, so you will not hear the end of this announcement here. It will go on and on for a few weeks at least. It’s been a long time planning and coding. Oy vhey, the coding!

Anyway, stay tuned.

Where I’m At

Just touching base to let you know where I am on the new Chance Press book. I have to do a total of 19 pieces for this thing, and as of now, I have 5 1/2 to go. I’m very nearly done with the page I am working on now. It’s 16 pages in all, plus a collaborative piece, a small 5″ x 5″ and one that is just pen and ink. The pages are each 7 x 10 inches and they are mostly watercolor and ink with a little bit of colored pencil on some. God, I wish I could show some of them off, but I can’t. I’ve also been working on my new website and I can’t show any of that either until it launches in full. I am really hoping that will be by January 1, 2013.

Other than that, I’ve been actually having a little bit of a difficult time with approaching a newer direction with my paintings. I say that, but maybe I’m not having a hard time at all, I just think I am. I have about four mapped out – I just always worry about the idea of running out of concepts. This is something I have always had going on, but I don’t ever run out of ideas, so I don’t know why I worry about that at all. It’s stupid is what it is.

What else is new? I have been going to art shows. I should have mentioned them right after I saw them, but I didn’t. The best one was Leigh Salgado at Coagula Curatorial. I also saw Richard Bruland‘s solo show at Lora Schlesinger, and Ed Moses at Patrick Painter. Richard’s show was beautiful. He always does wonderful work. And there were a few amazing things at the new gallery that opened in Venice at Shulamit Gallery. The space there is simply stunning. A lot of stairs though. It just keeps going up and up and up with little rooms and galleries on each floor. Very creative space. Some of the work was truly inspiring, but I don’t really know which artist did what. I was taken with the photography most of all. I saw a few other shows too, but I guess they are not worth mentioning. No offense to the artists. Oh, I did like Gary Baseman‘s show in Chinatown. It was not his paintings though. It was all his reference materials and collection of old photographs and I really enjoyed that.

I am trying to get my “Little Sister” to come to a contemporary art museum with me. I have to talk her into it because she hasn’t had the best experience with museums in the past. I want to take her to the Blues for Smoke show at MOCA. I hope to see it with her on December 2nd.

NOT So Vulnerable

I have been keeping a kind of journal/sketchbook in recent months, where I write my candid feelings in a sort of stream-of-consciousness way. Then I am supposed to draw what I wrote. I didn’t draw anything for today yet, but I wrote the 300+ words it usually takes to fill up the page. Why I share these things, I have no idea.

13 November, 20012. 11:AM

I think I am depressed. Not so depressed I can’t move. Just beneath the surface. I feel like I am about to drown. The water is rising, but I am not moving. Decision making freezes me in place. I feel indifferent in rooms filled with laughter, like I am in my own secret bubble. I am not special in this way. It just feels like I am because I am wide-eyed aware of my place amongst others. I do a lot of things that make others happy, but I can never please them. I don’t do what I want because I’m unaware of what that is. Sometimes I know, but usually I don’t. I don’t listen to myself as I should. The glow of the sun is in my eyes and I don’t care about the rules of not staring into it. I allow it because I am disregarding myself. How ridiculous. It is ridiculous because I do what I want every day of my life. I make my own rules. I create my own realities, yet I feel this way. Why? Just seems ridiculous, like I need permission or something. Permission to do what? I guess to do what I want. I need to find out what it is I want. Why is that so difficult. I am making it hard for I don’t know what reason. Perhaps it is just a familiar place where I am most comfortable – insecurity. I’d like to be done with it. Life is too short and I am too old to keep going along like this. Any decision is better than no decision. I need to let the chips fall where they may. Make mistakes. Take a risk. THAT is the risk. THAT is the challenge. It is no bigger than that. Make any decision and allow it to fall into whatever depths or heights it will. So be it. I’m strong enough for anything.

Waiting for Jordan

I have been hard at work on a new book for Chance Press. I think it’s going to be the shit, the fo’schnizzle, the bomb, and the cat’s meow. The only problem is that I can’t announce who I am doing the book with quite yet. It’s me and another artist who is actually one of my most favorite artists working today. It’s going to be a dream come true for me, but I have to tighten my lip for now about who it is. I am waiting for Jordan Hurder from Chance Press to give me a green light, as he is not announcing who it is yet either, so I’m waiting for him to broadcast it before I go letting the kitty out of the cat bag.

Not only that, I will be withholding the 16 works on paper that I am doing for the project. So why am I even saying anything at all? Because I am excited! If you’re not seeing new paintings up as soon as you’d like to, just know that I am still here working my butt off; I just can’t let you see what I’m doing exactly. Bummer, right? Not. What the hell do you care anyway? You probably have more important things to do than check out my blog, or sit and wait for new art to appear. Unfortunately, I am obsessed with making things and posting them. Come to think of it, I am just obsessed in general. If I don’t accomplish something arty every day, I feel like some kind of looser. Like today for instance. I sketched in my sketchbook, wrote about three paragraphs in my novel, and I painted the watercolor on the 5th page of the new Chance Press book, but I feel like I didn’t really do much today. I went shopping, and went to the pharmacy, and just put on a load of laundry, but I am still lacking a sense of accomplishment. I also worked on some computer bugs as well: since 1993, I have been keeping my entire mailing list in a Microsoft Works database, and it wasn’t until today that I finally imported the data into Access 2007. Welcome to the new millennium, for Christ sakes! …So that was my day.

What is wrong with me? I’ll tell you: It’s never enough! Never enough art. I don’t think I will ever feel as accomplished as I fantasize about. I am forever neurotic.

Turning a corner

Much is going on! I am excited to type this right now. First of all, I went to see art consultant, Ellie Blankfort the other day it went so great, I can’t even tell you! It was like psychotherapy for artists! While it was only our first meeting, I can see that she is going to help me a great deal.

She is helping me how to identify the strengths of my work, gain confidence, how to avoid the weaknesses in my work, and how to best release my energy so I can stimulate my creative process. She seemed to open the door for me to get through this weird artistic crisis I had been going through. I am very excited and am going to see her again in a couple weeks and make it a monthly thing. She gave me some great exercises to do. Trade secrets I can not tell you.

I met Ellie back in 2005 or thereabouts. She was on the art committee for the LACMA. Each year, Howard Fox and the committee do studio visits with selected artists, and after they complete their rounds, the museum makes a purchase from one of the artists. I came close, but I did not get the purchase. But I was very fortunate to have received the visit from them at all. Honored actually. That studio visit went so well, I will never forget it. Ellie was the most encouraging on the panel, so once I caught wind of what she was doing nowadays, I contacted her and we made an appointment. I am so glad I did too.

Today I even got a big rejection, but I don’t even care because I think my visit with Ellie got me to be in the right head space to deal with it. (I was turned down for the CCI Grant: Investing in Artists, which would have helped me to pay an editor and a proofreader for the book I’m working on.)

I had mentioned Shrapnel in another post not long ago and spoke about how I was going to lose friends because of some of the information I was going to be writing about their religion, but it turns out that might not be the case at all and the friendships I have will be able to endure pretty much anything. I am grateful! That one family member might still try to sue me, but I’m not worried about it.

I am now 3/4 the way through the rough draft. I can’t believe it! I have written 115,000 words so far! I think I started this almost three years ago now, but once I got the Scrivener program, everything just came SO much easier! This last year I have been able to write out most of the book. I swear, if you are working on any kind of manuscript, you MUST get this program. I am a super-endorser of the thing, as is my partner in life, MJP. He has been working on a memoir about his musical experience for even longer, and he is just about finished.

Also, I had been talking about four paintings that I started that were really unlike anything I’ve done before (or at least feels like it). Michael says the new one looks like something I’d do. You tell me:

“The Devil in Me,” 2012. Oil on canvas. 24 x 24 inches.

Devil in Me by Carol Es

This next one is still in progress, but it’s really close to being done. I think it is called, “Edith.” It’s 20 x 16 inches, oil on canvas:

Edith by Carol Es

The other two are no where near at a point where I’d post them. They look like sloppy blobs.

——————-

Recently I saw Fiona Apple play at the Greek Theater. It was so majorly inspiring and amazing, I don’t even know how to put into words! Get her new album. It’s absolute genius! For her, the more hash, the better. (She was recently arrested for hashish in Texas.)

I also got a wonderful gift in the mail from none other than one of my most favorite artists on Earth, Neil Farber. He sent me a little gouache and ink painting on a small piece of paper because my publishers, Chance Press, gave him a copy of Scribbles in a Sandstorm. Neil made me a red cat wearing blue eye glasses. See?

Neil Farber