Bad Proof, Illustrator, Joshua Tree, and Teju

Well, I very recently got back the first proof of the drawing book and it looks like shit. Not total shit, but the drawings are slightly pixelated. You know what that means? It means I have to spend the next few weeks learning Adobe Illustrator. I’ve never learned it. You’d think I’d known how to use it all this time, being a computer wiz and all, but I’ve never learned it. I’ve been using Photoshop for the last 15 years. I’m real good at that! I can tell you just about anything about Photoshop, although, I consider it to be such an incredible program, I think there is always more to learn no matter how many years you’ve been working with it.

So, I finally installed Illustrator today and I’ve been taking some basic tutorials. I have a long way to go, but what a great program that is too! I’m so stupid for avoiding it all these years. I have to learn how to make vector images.

Other than that, I’ve been chipping away at a few little paintings. Sorry I don’t have any pictures today. I’ve been bad at documenting stuff lately. I’ve been inside my head a lot, trying to think about new projects/installations I would maybe like to do during my solo show in a year or so from now.

I also maybe had the mind to apply for a residency in Joshua Tree. It’s the one that most people already know about, but I decided that it may not be a good match for me, that is, if I would actually get it. I’d first have to come up with a project that I could complete within six weeks, and within that time, come up with a workshop on my process pertaining to what it is I am doing there. Then, whatever it is I am making/doing, give something tangible to the organization that runs the residency and be ready to exhibit the results at the end of the residency. I’d have to get two letters of recommendation to apply as well. Knowing that, I would want to get my project set in stone before I hit up those special people to write those letters for me. That’s a lot of conditions that I’m not sure I like.

The thing is, the project that I would like to do for my solo show will inevitably have to do with JTree. I want it to anyway. I have been wanting to do a study out there for a long, long time now. I just need to bring it together in a way that will excite me and exist on some physical plain. It does not have to be tangible, which is great. It just has to be… that’s just it! I’m not sure what it has to be yet.

My first idea was too ambitious. It would have cost me too much money and I would have ended up with a trailer. I have no place to put a trailer! It would have been ultra cool though, and I know a trailer has been done before, but not like this. I’ll have to save that idea for the off chance I ever become some sort of art star or something. Still, I’d like to try to do the essence of the idea, which is about process. I know, it sounds boring and I probably lost you. I’ll keep working on it.

Something that is not boring is this artist that I recently discovered, Tejubehan! Over the holidays, mjp and I got a Vroman’s gift card and we went there to spend it. mjp went over to the Fiction section and I hung around the Art section. There was this book on its side sticking out in the shelf with an orange cover and intricate pen drawings all over it. “What is that!?” I said to meself.

I pulled it out and opened it up and freaked out! It was one of the most beautiful books I had ever seen in any commercial book store. In fact, it was a limited edition of 3000. Teju is an Indian, self-taught folk artist that does pen and ink work that you must see. I love her work! I am so happy I got this book for a mere $35! What a steal.

Okay, back to work and the drawing board for me.

I Guess I Missed the New Year’s Bash

I guess I missed the New Year’s bash. I woke up late. Two weeks late. Last time I checked, it was December 17th and all was well. Then, the shit hit the fan.

Is life ever calm? Not for me it isn’t. Another medication change came a couple of days later, and so did the untimely death of my only cousin. The only real cousin I grew up with anyway. I have one on my dad’s side, but she is much older than I and I only spent very little time with her and her kids for about year when I was eight years old back when I lived in Allentown, Pennsylvania. And truthfully, I lived there on and off during that year. I won’t go into why. That’s a whole other story.

My mother had only one sibling – my Aunt Susan. She only had two children: a son who is five years older and a daughter five years younger than I am. He was sent away to live with his biological father when he was 15. I only saw him once after that, but Lisa, my younger cousin, lived in Los Angeles half the time, Pittsburgh, then Alabama the rest of the time.

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My mom and Susie were close, although they fought a lot of the time too. Sometimes we would visit them and wind up flying home early because my mother and Susie just couldn’t get along for more than three days in a row under the same roof. It was easier when Susie lived in LA. She had her own place, but honestly, Lisa had always annoyed me. She was five years younger after all, and she had a big personality. She was rebellious, disrespected my aunt, and later got into drugs. I didn’t like her, probably because I didn’t have a good influence on her. My brother and I weren’t ones to talk sense into her since I had been doing drugs myself earlier and my brother continued to do them for many years before he finally got clean.

lisa

Lisa only had momentary stints of sobriety, but she was never really able to conquer her addiction problems. She put my aunt through a lot of stress and drama, and for that I had a difficult time with just even loving her, let alone being nice to her. And for years it was like that, but just a couple months ago, I went out to Alabama with my brother to see Susie. She had just gone through five rounds of chemotherapy. Believe it or not, she had been in Stage 4 cancer, so we planned a trip out there thinking it might be the last time we would get to see her, but days before our plans, we learned that her cancer went into complete remission! It would now be a celebration visit. We also learned that Lisa had been sober – for the most part – for the last nine months because she was pregnant with a baby boy. Susie didn’t want to tell me that she was staying with her at the house because she thought I wouldn’t want to come and stay there because Lisa would be in the same house, but under the circumstances, I didn’t mind at all. But that goes to show you just how much I have been mad at my cousin.

Truly, I have been mad at her because I love her, and because I love my aunt. The last thing I wanted was for Lisa to cause Susie any more stress than she already had been going through now that she had cancer. Not only that, but Susie adopted one of Lisa’s children, Damon, now 10, who has Autism. She has been raising Damon and giving him a loving upbringing, not to mention stellar care through the best schools and programs available to him. She totally stepped up when Lisa couldn’t and wouldn’t, and he’s a great kid – incredibly bright.

So, when I got there, to my surprise, I found that Lisa and her husband had been helping Susan out with doctor appointments, meals, rides, picking up her medicine, helping her up and down the stairs, and just being there for her totally while she was getting her treatments the entire time. I spent a lot of time with Lisa and got to know her all over again and learned that I had been misjudging her, that avoiding her was only making it easier for me to “dislike” her. The less I knew her, the easier it was to stay mad, but almost instantly, it was very easy to see what a sweetheart she really was, and such a good soul. There was just no denying it. How could I not love this person? She was the kind of person that would literally give you the clothes off her back if you needed them before herself.

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About a week after we got back home, she had little Samuel, and she seemed to be so happy, but, almost six weeks after that, and just a few days before Christmas, she died.

She was just 40 years old.

This all hit me harder than I expected. It was something none of us should have been surprised about though, as we always thought about this. We all thought this could happen one day with her. For years it’s been on our minds, yet, all of us felt complete shock. How? I don’t know, but we did. Maybe it was the baby. Maybe it was the fact that she was doing so well and it felt different this time. Maybe we all secretly thought it wouldn’t really happen. That only happens to other addicts in other people’s families.

So, I guess you can say, I haven’t been in real good shape lately. I haven’t much felt like writing in my blog, or posting on G+ or Facebook, painting or socializing, talking on the phone, or doing much of anything other than going to therapy. I’m just now getting used to my med change, so that’s some good news – knock on teak.

However, Michael went out of town the first week of January, so I buried myself in finishing the drawing book (Carol Es une Monographie de Lignes) while he was gone. It’s done! I’m just waiting for two things: for Michael to write the foreword, and, I have to save a few bucks for the offset printing. I may do a small Kickstarter or a hatchfund.

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Last night I met with my critique group, which I don’t think I have ever mentioned on my blog before. Have I? No. I haven’t. First of all, I do not like to call it a critique group because it is much, much more than that. Second of all, we actually had more like a year-end/new year party last night, not a typical meeting.

So last night is really the second time I have socialized at all whatsoever in almost a month. The first time was Monday when I had Rochelle Botello over. Last night was interesting. I still feel like I’m in a fog, or a dream. I’ve been pretty disassociated. Things seem unreal to me. It can be scary. It wasn’t so scary when Rochelle came over. She is a pretty close friend and I didn’t have to drive anywhere, plus we didn’t leave my house. We just stayed here and talked and had coffee. Perfect for me. Last night was a potluck kinda thing. But I suppose I should explain the group a little bit?

Artists’ Matters. That’s what it’s called. It’s headed by Ellie Blankfort and Peter Clothier. Besides that, there are eight to 10 of us, but not usually at any one given time. I’d say eight is the most that show up at once. I’ve been in for about a year now and I’m one of the newer members. Some have been in for 15+ years. We meet once a month from 7:00-10:00 p.m. and talk about everything from what has been going on in the studio, to personal issues, to business and process techniques, to doing critiques on member’s artworks. We are known to do certain book assignments and talk about various articles, get into heated debates, visit each other’s studios, and last night in particular, we were given these little 4×4 inch canvases to do whatever we wanted to do on them, plus talk about our intentions and goals for 2014. Anyway, we spent so much time on dinner and telling stories that we kinda had to rush through the little canvases and didn’t much get around to talking about our intentions for the year, but it sure was fun to see what everybody made on their 4x4s, as Ellie started to call them.

Today I am actually going to paint, that is, if I ever get done with this blog post.

Suffering Succotash

This just in!

All this talk about Carol Es une Monographie de Lignes. All this work. All the drawing is easy. I love it.

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But all the scanning. All this Photoshoping – cleaning up little specks and pencil markings, discolorations and formatting the images – it’s all been getting to me. It’s just taking a long fucking time and I have been obsessing over it way too much, and that’s MY fault. I created my own deadline, and I create my own suffering. Me and only me. I do this to myself!

I think I can’t go back into the studio until I accomplish x,y, and z. I’m not the only artist that does this. It’s common. At least it’s common for those of us that are dedicated to the work. It’s a workaholic thing too. Either way, it’s some bullshit. We don’t have to do anything. Not if we invented it in the first place. We can create, and uncreate. Invent, and uninvent.

I invented this deadline for a few reasons and none of  those reasons are important enough that I can’t change it. In fact, I’m not even going to make a date! Carol Es une Monographie de Lignes will get done when I finish it. It is hereby a “spare time” project. I’ll work on it (in Photoshop) when I’m bored. It is no longer the “front burner” project. In fact, there is hereby NO front burner project!

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The only thing I “have to” do is make a pin drawing on a small panel, then map out a few more as an installation I will be doing at the Palm Springs Fine Art Fair February 13-16, 2014.

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For now, I would like to get back into the studio. That is, if I have my own permission.

May I Carol?

Yes Carol, you may.

Okay. That’s it.

Now, before I forget, I would like to take the time to thank my friend Peter Clothier for mentioning me and my blog on his much more interesting blog, The Buddha Diaries. If you get a chance, please check it out because, not only is Peter a wonderful writer of art, art criticism, fiction and poetry, but he writes about everything under the sun, moon, and stars – including his personal life (and personally, I find that stuff the most interesting – the voyeur I am) – and, you just might find yourself discovering new things about the spiritual self you didn’t know you had. Seriously!

Also, I know it’s late in the fast-pace game of the art world and the world of media, but Mat, if you’re reading this, or if not (either way), I wanted to congratulate my good friend Mat Gleason for getting the cover of Arts and Culture section of the LA Times! A full article was written about Mat and Coagula, and the gallery, which you can read on line here. Mat doesn’t need the LA Times to legitimize his place in the Los Angeles art scene. We all know who he is and have seen the no-bullshit empire he has organically built from the ground up, honestly, 99% all by himself – punk rock style – over the last 20+ years. I just think the article is a damn BIG deal. At the same time I think it’s funny how long it takes the mainstream NEWSpaper to catch on to the Truth.

Just Wanna Hug my Easel

I finally am getting a handle on this book of drawings. Carol Es une Monographie de Lignes is going to have 60 drawings in it and I have finished many of them. I have 23 more to go and I don’t know what a handful of them are going to look like yet, but that is part of the fun!

What I really want is to just get back to painting. All I have been doing is thinking about painting and I haven’t painted in so very long. Drawing is important and I see how very important it truly is. It’s something that needs to be a daily practice if you want to be a painter. If you want to be an artist. If you want to communicate visually on a consistent basis. It exercises that part of your brain and makes it like a muscle that works itself out. You become Hercules! Lifting giant boulders gets to be really easy – but you’re going to get super bored if there are no boulders for you to easily lift!

Get me in the studio for Christ sake! For the sake of the baby Jesus, or for the sake of my sanity. I have never even met the baby Jesus, but I have met my bad brains, so just get me in there already!

A couple things I started – eons ago…

walkingthingoneaseclosel

I started it at the same time I started the little one that I finished very recently – the one that I just posted in my last blog post. All I did with that one though, was added a spot color of turquoise, and it was done! I didn’t expect it to just happen like that, but that was all it needed. It was hard for me to walk away from it at that point too, but I did.

This one above, I have simple plans for as well, but not as simple as the last one.

Then, I have been thinking a LOT about my older work. I mean, not that old, but my work with all the patterns in them. The pattern paintings. And you know I stopped making any paintings with patterns in them this last year (don’t know if you noticed) because I thought I “should.” But between you and me, I actually have quite a lot of fun with that process! I have loved collage from as far back as I can remember.

I think I thought that I would not be evolving unless I gave it all up and just used paint, and nothing else for a while. Which I think I did. I have. But lately I have had an itch I need to scratch. I want to incorporate what I have been doing: the drawing, the painting, the simplicity, the new ideas – and bring it into the pattern painting process and see what happens.

I posted this piece as a Work-in-Progress on WetCanvas a couple days ago…

bulletproofupsidedownclose

and someone said there was a foreboding feeling about it, which was very interesting.

I said, “this is actually a painting from 2004 or 2005 (I’d have to look it up because I signed it in the Hebrew year at the time.) It was part of a vertical triptych that I grew to dislike very much, so I decided to wreck it by breaking it up (recently) and I turned the middle piece (called Bulletproof) upside down and started painting the black arc lines. 

Some of you guys got me thinking, as well as some others, and MYSELF, about my older work with the patterns. I felt like I HAD to give it all up or I wouldn’t be evolving, but maybe that’s not the case after all. Maybe I can incorporate it still and take it to another level. So it’s been on my mind. 

So with this one, I feel like I was just playing around. I will finish it at some point, maybe before the new year. I hope. 

The arc was like an entrance to something else – a new place, but still, a dark place. Or at least not a “funny” place. A serious place.”

But… I don’t know what the hell I am saying. All I know is that I’m just feeling a bit overwhelmed lately not being able to finish anything in particular. My list of things to do just goes on and on and on with no feeling of accomplishment in sight. Well — it’s in sight, but not for a while and I’m an impatient nut when it comes to finishing the task at hand.

I hope to finish the drawings for the book sometime in January.

I’d like to cut away from those book drawings and paint for a week straight the week of Xmas.

All I wanna do is spend some time in the studio. I wanna hug that easel of mine and welcome myself back into the fold.

A Swell Field of Rye

Okay, so here’s a new painting. It’s called. Don’t Wait Up. It’s only 12 x 12 inches. (Oil on birch panel.)

dontwaitupdetail

But I haven’t been painting. I finished that like two weeks ago. Or something like that. I started it in the summer, if you can believe it.

I’ve been inundated with books. That chapbook. Houses. Then the one I’m working on now: Carol Es une Monographie de Lignes, which has become a lot more work than I had originally planned.

I originally planned 12 drawings for the first chapter, 29 for the second, eight for the third, and 10 for the fourth. That’s not the case at all anymore. I already have 16 and going for the first,  35 for the second, and hopefully I won’t go over on the last two. I may have to edit.

The thing is, I haven’t drawn all the drawings yet. I start them in pencil, then I go over them in black ink, then I try as hard as possible to erase whatever pencil is still there (but that’s impossible). Then, I have to scan them in and bring em into Photoshop, bring them up to 400% and go over every millimeter to make sure there are no spots, hairs, or light pencil marks on them. Whew!

Many of you Photoshop geeks probably think I should just use the magic wand on them, but as you know, that fucks up the edges of the natural line and makes them weird. I don’t like how that magic wand handles that, even if I contract them by 1 pixel, so I don’t like to use it. So there. Bleh.

So… I do it the hard way and go over it with my eye, and, very carefully, take a paintbrush and white out the specs of dust, and NO, I don’t have one of those mouse pen tablets. I do it with a plain old mouse, like some kind of savage!

Each drawing takes forever is what I’m telling you. Some take more time than others. For instance, editing this:

dan

takes a lot less time than, say, something like this:

angel

 

That’s just an example of the sorts of drawings that will be in the Invention and Preliminaries chapter – because they represent two different stages of my work over the years.

I may not even use that particular angel. I might use a different one. Or I might use another one, or even a few! I mean, I painted angels for a good 10 years.

Oh, you didn’t know that? Good! I’m not all that proud of it. It’s like hearing the music you played with your band from when you were a teenager. It’s a little embarrassing, although a lot of people liked them. I sold a lot of angel paintings. I must of made a few dozen at least.

surrender

Breaking away from that was weird. For years I could have sworn I was creating them under the idea, or feeling, of lament for a lost lover. Someone I couldn’t get over for years and years – but then – one day – I realized…

Aaalll those paintings; all that paint; all that creativity, time, planning, emotion, tears and sadness; my guts splattered all over every canvas wasn’t about him at all. It was about me. I was the angel. Not him.

So I think that’s what made me stop painting angels. I’m pretty sure. Oh…that, and I fell in love with mjp.

Anyway, so off track. I sat down here to write because I wanted to vent. I wanted to get my feelings out. Ever need to just do that? Well I’m super-dooper in need of that right now!

You know what I remember most about Catcher in the Rye? It’s probably what everybody remembers for all I know, but it’s the end when he steps off the curb. I read it such a long time ago, so I don’t remember where he was going, but he was somewhere in Manhattan and he’s walking and he steps off the curb, and it was like he entered into the other side right then and there in that one step – out of reality. And in that moment, he goes into a dissociative state that he never returns from. Translation: he goes insane.

And it hits you that this is the point in the book where he goes crazy, yet it also hits you, that you’ve been on his side the entire time – he’s the protagonist after all – but it occurs to you that he has been crazy the entire time, but neither you nor he knew it.

When people said he was practically yelling, speaking too loudly, asking him to lower his voice – you realize now that he was in a manic state, not just passionate. It wasn’t the other people like he thought were weird. It was him! I don’t know about you, but right at that brilliant ending, all I wanted to do was flip back to the first page and read it all over again, having this new epiphany and a completely different point of view on Holden Caulfield at that new moment…

My point in all this really was not to talk about one of my favorite books of all time, no.

*sigh*

Lately – I am walking and I am feeling like the next step will be the one that goes on forever off the curb.

And I’m not sure what to do about it.

– – – – – – – – – – – – – – –

I have a good friend coming over tomorrow after I see my doctor (my Lupus doc) and she is going to help me get a grip on my ultra awesome sewing machine that I’ve had for a long time (years) but really don’t know how to work. Maybe that will make me feel better?

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