Revitalized

I had the BEST conversation the other night with one of my artist friends, Rochelle Botello. I had been floundering lately about what sort of body of work I should do next. I had an idea about it, but I felt unsure about it until I spoke with her. She helped me to get back on track probably because she and I have such a similar art-making process.

Rochelle asked me some key questions about my new “idea” that made me see it all clearly, like what exactly was interesting to me about it, and I found that there wasn’t anything specifically interesting to me about it at all, and therefore, it was not a good enough idea for a whole body of work.

I realized, I was putting the cart before the horse, so to speak. And I was thinking too much about what would be interesting to display in a show instead of what was going to hold my own interest. It’s very important (for me) to be engaged in the painting process, and to also have fun – while also challenging myself. I work instinctively usually, so making such a plan before I had even started on painting one was not the way to go. The organic evolution usually takes form and I will inevitably create an entire body of work that will wind up looking good together – without thinking about it so much.

What was interesting to me about my idea was not the imagery itself, but the narrative behind it. I had been telling myself that I need to take out the narrative in my work because some people don’t like it, or I’m doing it too much, or blah blah blah. But I came to the conclusion that WHAT I will be painting is a lot less important than how I approach it. It’s a matter of trusting myself to pull it all together as I go along. I can’t stress enough how important it is to ignore all the self-doubt or outside validation in cases like this.

Therefore, I won’t be creating a body of work that resembles the forms I had in mind in the first place. Instead, I now can see the “look” is going to be entirely different if I address the story behind how the forms came to be. From there I can make the first piece, and that’s all that matters. Because the first will inform the next – and rather than a laid out plan, I will watch and discover what comes into being. THAT is more exciting to me than a plan.
So, rather than a laid out plan, I will watch and discover what comes into being.

Feeling revitalized. Thanks Rochelle. 🙂

Catch Up

pages14-15

It’s been forever since I’ve blogged. Forgive me. I’ve been both busy and lazy.

Today I finally finished a giant proposal for the National Museum of Women in the Arts Library Fellows Program Artists’ Book Grant. I have totally revamped my Houses idea into a new edition of 125 – that is, if I get the award. Everything is different now. The poem, the images, the papers, all of it. If I don’t get the award, I’ll have to revamp it again for a new smaller, special edition.

It took me all week to write the proposal, the budget, and create a dummy book, but I am happy with all of it and I am sending it out first thing tomorrow. I haven’t had much time to do anything else. Now I can get back to my busy schedule, which I have been lazily not doing. I have three paintings started – one is from a year ago! and I have not been working on painting since the two new ones I made for the “NO JOKE” show, which is still up until the end of the first week in July at Coagula Curatorial in Chinatown.

Well wait, that’s not entirely true because I did paint a couple little watercolors for the dummy book. One is a gouache, quite simple, and the other is a full-color watercolor and ink. They are both 6 x 9 inches.

housesmoved

I don’t know if I have mentioned that I have been mentoring an artist named Idelle Steinberg. I am trying to help get her career going and giving her as much inspiration and as many tools as I can. We meet about once a week and go over plans and it’s been a nice artist’s friendship so far. I actually put an ad on Craigslist for an apprentice who I could mentor in exchange for a little help in the studio and got a ton of responses. It was wild. I picked Idelle because she has a wonderful imagination and a super distinct style that I felt deserved nurturing. I had no idea I’d make such a good friend, but I did.

I am still waiting on being assigned my young teen girl from Create Now to mentor. I am very excited to meet her and do art with her. I wish there were such programs available when I was 13. If there were, I never knew about them. I believe this girl takes residence in a nearby orphanage. I am hoping to meet her at least twice a week.

If I have not mentioned this before, I got an editor for the literary book I have been working on for these last couple of years. Her name is Lisa Teasley. She is an award-winning novelist published with Bloomsbury and she is committed to taking on my book. I am still on the rough draft, but I am more than half way finished with that now. I wish I could, but I can not rush the process. I estimate I’ll be getting it to Lisa in a little under a year’s time.

I didn’t win the COLA, nor the California Fund Fellowship, but onward. I apply for those two grants every year for maybe 10 years now and I’ve never won, but I always know someone who wins them, which just makes me feel like I’m that much closer. But does it mean that? Maybe not.

I’m going to be in a group show at the Sunnyview Rehabilitation Hospital Foundation in Troy, NY in October and also another group show at the JCC Gotthelf Gallery in La Jolla, CA in December. Something to look forward to.

Philly, June, Wood, Etsy, Blast

Here are a few pics of my work at Nichols Berg Gallery in Philadelphia. The show runs until the end of April.

Looks like I will be participating in a group show in the summer at Mat Gleason’s new gallery, Coagula Curatorial. The show opens in June and the working title is called Pen and Ink People.

I am working on a bunch of new work. It’s all experimental, so I don’t know where it’s going yet, but it looks like it’s two different series. Oil paintings on canvases and linen, and mostly pencil work on birch wood. Sneak peek:

Carol Es

I also updated my ETSY store: https://www.etsy.com/shop/carelesspress

Still working on the infamous book. I’m about 70,000 words into the rough now. It’s such a major undertaking this process. It’s a work of creative non-fiction, as I’m calling it, because I don’t like calling it an autobiography. I’ve been working on it for over two years now, but since I got Scrivener about a year ago, I’ve been working on it a lot more regularly.

I started writing it backwards, starting with my 40th year. Then, I went back and wrote a full family history from before I was born – everything I knew about my parents’ stories and why they were the way they were. After that, I started writing from the age six and I’ve been writing chronologically ever since. I’m at age 15 now. All of it is beyond belief. It won’t start getting boring until I’m 30. That’s when the entirety of it all hits me. Then It’s going to turn into some kind of self-help book as I spent the next 10 years learning to leave my own house, re-drive a car, make friends and build a new career.

The book deals with so many subjects, I don’t know what section of the bookstore it will stocked in if it ever gets published, as it deals with abuse, neglect, family dysfunction, rape, molestation, drug abuse, emancipation, cults, rock n roll, bisexuality, gender identity, child labor laws, past lives, suicide, mental illness, disability, divorce, art, love, loss, death, religion, celebrities, sex, lies, blackmail, adultery, + + + … Personally, I think it should be in the Humor section.

I have been struggling between 3 different tiles.

Shrapnel in the San Fernando Valley
Blast
Invisible Ink