Outside the Lines Signing: a Big Success!

Yesterday was the Outside the Lines signing at the MOCA Store on Grand Ave., which was a giant success! Hundreds came to get their coloring book signed by over 50 artists that were in attendance – including ME!

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I had so much fun! Shepard Fairey was DJing the entire time, so I was dancing in my chair. He’s actually a great DJ! He knows how to kick it Old Skool. And I sat right between Young Kim and El Celso. To the right of Celso was Saelee Oh, and to the left of Young was Yuri Shimojo.

I think we were all a little overwhelmed at just how many people showed up.

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Even when we first got there, which was early enough to get set up, collect our Adidas gifts (since they were one of the sponsors), there were already people there beginning to color on the wall of blown up pages.

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I had mjp take my copy of the book, stand in every line possible, and get it signed by each of the artists – which was really nice of him since some of the lines were pretty damn long and even took up to an hour – either because of how popular the artist was, or how long they took to customize their inscription, or both. Late in the day, the MOCA Store ran out of books to sell, so people were just getting blank books to sign. I even signed blank sheets of paper, so artists were beginning to draw a lot of pictures rather than just sign their names. I mean, we felt bad for them, so, whatuya gonna do?

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It was just about a year ago when Souris asked us all to participate in this endeavor – it is unbelievable that it finally all came together to be such a huge success, and the coloring book hasn’t even been out but a couple of weeks! And would you believe that all of this was inspired by one very special little girl? Lulu.

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I just have to say that I am HONORED to be part of this project. Thank you to Souris and her entire family for this wonderful experience.

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BUY THE BOOK!

Up To?

I’ve been in deep self-study as my year comes to a close. The High Holidays came early and it seemed like — heh, who am I kidding? It didn’t seem like anything. It was. I did: I got into a manic state of working just before Erev Rosh Hashanah. I worked on the new book, Carol Es une Monographie de Lignes. I worked on it before all of Houses were bound. I re-wrote my statement for my new gallery’s website. I applied for a grant. I wrote an essay as a submission for a small press publication, which then turned into a brand new project — a 26 page chapbook called Today’s Quandary. And I plan to release that one even sooner than the new book.

Then, I walked through the doors of my shull and I listened to my Rabbi speak. I started to feel a little different when I came home that night sometime around 11:00. And then the next morning, I thought about how Alicia is coming back into my life – I didn’t announce this, did I? She is! Soon. And I thought about what she is going to think about Outside the Lines. I pictured us working in it together with colored pencils.

While watching this video that Souris posted on her Tiny Iron Fists site, I could almost remember being that age. It reminded me of my very first contact with art, and how amazingly excited I was then.

Lulu and Moebius (01.14.11) from souris on Vimeo.

I have scattered memories: brief, fuzzy flashes of being very, very young, trying to grip the crayon. But what I remember most was a kind of limitless feeling. Art was limitless. That, and growing excitement in my belly. I think I was experiencing happiness. Real, true happiness.

Oh no, I’m going to cry.

Thanks Lulu.

Big Ole Newses

The big coloring book I’m in is finally releasing September 3rd! Outside the Lines, curated by none other than Hustler of Culture‘s L. Souris Hong-Porretta! You can now buy it at 40% off during the PRE-SALE on Amazon here.

But if you would like to get some of your pages signed by some of the artists, like ME, or Exene Cervenka, Gary Baseman, Jen Corace, Buff Monster, Jesse LeDoux, Logan Hicks, and more, come to the the OTL Launch and signing Party at the MOCA store on Saturday, September 21st from 3-6 PM!

Actually, I am not sure which artists will be there, but Shepard Fairey will be there, and so will I. Let’s guess who will bring a bigger crowd. Well, no matter what, it’s going to be stuffed. Once MOCA sends out the official invite (which will have the names of the artists that will be there for signings) things will only get hotter, and trust me, it doesn’t seem like it can get much hotter here in Los Angeles right now. It’s been unbearable. But this party is about to bust thermometers all over the place.

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So far, Outside the Lines has already brought in some great reviews, like this one on Dad of Divas, Another on Cool Hunting, and I’ve heard as well as the Advocate, Daily Candy, and Parents Magazine! Buzz, buzz, buzz!

I Miss You!

It’s been far too long! Like a month, ya? Almost. My God! What have you been doing while I was away? Whose blog have you been reading? I am so jealous. I sure hope it was worth it.

Well, I have been busy. Aren’t I always? But this time, extra, extra busy. I pretty much finished Houses. Just putting on the last touches, like the last bits of embroidery, making the slipcases (YES, slipcases I said), and I built this page so you can start ordering them if you feel so inclined, or, can afford the price of these babies.

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And did I mention that the Neil Farber | Carol Es book is now officially on sale!? Talk about price – these astonishingly rare book-works of art are at a hair-raising steal of just $125 a book! Yup. Not a joke in any way, shape or form. Chance Press is just cool like that. Oh, but you better get a move on because I hear that there are only like nine books left! And that was about three days ago – so GET ON IT!

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This is the collaborative piece I created with Neil. It’s crazy cool!

Speaking of books, and confessions. What? Okay, maybe I haven’t been moving on binding up the Houses books as quickly as I should have been because I have been preoccupied with other things – and maybe just one of those things is the preparation of my next Artist’s book. I know, I know: I shouldn’t start a new project before I’ve completed the last, but I am just so fucking excited! I feel like if I don’t work on it just a little bit, I will pee all over the floor!

It’s pretty ironic though, don’t you think? I haven’t made a book out of Careless Press in over five years, and then suddenly, here comes two. Well, I’m telling you now that this next one will not get released until the beginning of 2014, and it is going to retail for way under $100. Not only that, it’s going to have more pages than any other book I have made so far! That’s mostly because it’s going to be offset printed. I would never be able to make a 120 original page book – at least not in five months. Ha!

So as you can tell, I already know a lot about this book. Do you want to know more? As much as I know?

Nah… Why would you want to know such silly things?

Well, I think I’m going to tell you anyway, whether you are here reading this or not. It’s my diary. Not yours.

I titled this book in French because it sounded way more fancy. It’s titled, Carol Es une Monographie de Lignes (a Monograph in Lines). What that is, is like a mini autobiography done only in black pen sketches. Only one page will have an original, colored page in colored pencil and ink. It will have somewhere between 45 and 75 drawings in it, eight chapters, and a letterpressed, hardbound cover.

And that’s a lot of information. The only thing I’m not giving you are the names of the chapters and the visuals. Hmmm wait. I know. There is a chapter called, Preliminaries. Here is the preliminary for Wrong Mom, 2001.

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Okay, enough of that. I told you I was busy this last month, right? Well I had meetings. Meetings all over the place. Some were at my synagogue where I finally learned to read Hebrew! I bet you thought I already knew how, didn’t you? Well NO, I didn’t. Otherwise, I wouldn’t of had to pull Arctic Memory apart and repaint it, now would I? I was busy doing that too. I finished it. See?

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That’s what it looks like now. Now the Hebrew is correct. Now I KNOW the Hebrew is correct. 😉

The Hebrew classes were not only informative, but fun. I thought it was going to be so incredibly hard to read a new language that had a completely different alphabet in different looking characters, and I mean, it’s not like it was a breeze, but it wasn’t nearly as hard as I thought it was going to be. It is a fairly simple language, much simpler than English, as far as the sounds of the consonants and vowels and those rules go. It was a short class so I didn’t get deep into grammar yet, but I loved the whole experience enough to want to continue and even become an official member of the temple.

Sales have been up, so I just had to purchase this nifty case for my studio to hold all my very important brushes and other tools of the trade. My studio, Rubber Soul, as I have called it, gets dusty easily since it is just a converted garage, and I H-A-T-E that my beautiful brushes get dirty before I use them! There isn’t a sink in there. I have dreamed of having such a case for years! I have owned most of my brushes for some 25 years. I take damn good care of them and now I can take even better care of them, and the new ones I add to them.

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I also like some of the synthetic brushes, and while those don’t last too long, I think I can make them last a lot longer than possible, and with the case keeping them clean and pristine, it will make that even easier. And of course, all my sable brushes thank me for having a proper home, even in their old age. I just love this thing. It’s perfect for an anal retentive, meticulous control freak like me.

Finally, I had other meetings. The curator for the show I wound up in at USC Hillel, for instance (see my news page), and a local gallery I have been talking/negotiating/courting for a few months now. And, after this last meeting we both decided to work together, so… Expect an official announcement real soon.

Tail End of Houses

It’s getting there. I haven’t been working on it every day like I would want to. I’ve had other things coming onto the front burners now.

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I’ve been rearranging the way I’ve been working on my literary book and am almost writing in it again with some enthusiasm, now that the last of the traumatic incidents have been recorded. I’m all about discussing the reorganization and how I’m laying out the first draft, not so much the content, but I am very excited about how I am putting it together.

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Secondly, I finally pulled Arctic Memory out and have been making the changes on it I want in a hurry now for a couple of studio visit reasons: I have people coming on August 1st and on August 6th. I will be participating in a group show at USC Hillel that will be curated by Sara Cannon (Director of the Museum Education and Tours Program at the Municipal Art Gallery and Hollyhock House). The other visit is a gallery I’ve been talking to for the last several months.

As for Houses, I finally found those see-through plastic envelopes with the string-tie closure that will actually fit a 6 x 9 inch document – I just don’t know how well it’s going to fit until I bind one and slip it in there. If it’s perfect, this can keep the price down. I had all kinds of ideas about having a custom-made box created for these, which would cost me no less than $45 each plus shipping. Plus, they wouldn’t have hinges. They would be a box you would lay down on a coffee table or something like that. I wouldn’t want you to shelve it, now would I? But we’ll see how it turns out.

I have three pages of eight left to do, and some are already done. Here is the checklist. Some pages have a few steps to them.

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Dishes Page: 

Draw: 1-8 Done

Holes: 1-8 Done

Linen/Fixatives: 1-8 Done

Sew 1: 1-3 Done

Sew 2: 1-3 Done

First Watercolor Page:

Draw 1-8: Done

Painted: 1-2 Done

Inked: 1 Done

Gouache Page:

Drawn: 1-8 Done

Painted: 1-2 Done

What does all this mean? It means I have 18 pages to do before I start to bind them all together. Time wise, (for the pages), that’s about 106 hours of work left to go. I still plan to release it at the beginning of the fall.

As I have endorsed and promoted before, I have been using Scrivener to organize and write my book in. I can not recommend it with more of my being if you are about to embark on writing anything long. It will make your life so much easier and you will thank me. And no, I don’t work for them.

I am still using the program, but because of the many subjects I was writing about, I was starting to get really bummed out and all but ceased to work on it. I knew I had to write about the troubled stuff in my life, and because I was writing in chronological order, I would begin to dread some of the things that were coming up. I would sometimes pick other areas, since the folders were already laid out before and after, but truly, that wasn’t working for me since my mindset during those times just after was changed substantially.

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I began to think about this, and the thoughts I have about myself – just in the last couple of years. I don’t see myself as a victim. I never did, especially the more I grew and the more I became self-aware. Bad things that have happened to me, to us, do not define us as people. And so this chronological list of folders with sub-folders (much like the way your computer files work) seemed so one-dimensional to me. And Scrivener is capable of so much more – like Photoshop!

I have said, as many other people have too, Photoshop is like an onion. You can keep digging and digging into that program and find so many more things that it is capable of doing. If Photoshop can have all those layers, what about a person’s life? And how would you record and organize those layers into a program? It’s quite like a database, which is essentially what Scrivener is: a database program!  So I got this idea to assign layers to my life, with the “ID#” or the main layer being Carol the person. That is the constant. What I think. That’s the main layer. Then all the other layers can be built around it and I can move them in and out, and all around the timeline as much as I feel like it.

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In essence, this will not so much be a first pass, but more like a true first draft, but I am much further away from being done with it. So that’s the trade off.