Last Printing Day at SHG

Well today was the last day of printing during my all-too-short residency at Self Help Graphics. I am one of 10 women chosen by SHG and Yolanda Gonzalez for the 2008 Maestra’s Atelier. Here is Master Printer Jose Alpuche hard at work on my print, with Assistant Printer and son, Ivan Alpuche. We had a lot of fun taking breaks and being smart-asses, but mostly I am overflowing with gratitude that I was able to learn the art of screen printing with such a talented printer as Joe. I’m already thinking about my next print!

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Staring at the same image for the last 2 weeks has driven me absolutely batty. My fingers seem to be permanently stained with rapidograph ink from working on the 7 different acetates. It takes rubbing alcohol to erase your mistakes or make any changes, but once the acetate is shot and exposed onto the screen, you kind of have to live with the result, so you have to be sure. Since I’m not sure about most things, I had to rely mostly on the guidance of the Master Printer. If he says to make your lines darker, you better listen, or else you’re one stupid culo.

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Next week I will go in and sign and number my prints and take a good picture of how it turned out. I think it looks pretty cool, but like I said, I’ve been staring at it too long. A few SHG peeps came in and they liked it a lot. It was definitely something a little different than what’s usually printed there. The colors are very subtle. I’ll show it at you next weekend, but for now it’s relaxing time.

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Self Help Graphics in the heart of East LA has been an important part of Los Angeles and the Chicano Movement since the early 1970s. They have earned national acclaim for their programs and services. Their amazing building on Caesar Chavez Ave. is surrounded by a local population of over two million Chicanos/Mexicanos. They are a vital community resource for the creation and presentation of art and culture. I am honored to be welcomed into their home.

ptovar

I was also given a great gift from artist Peter Tovar. It is a little monoprint he was working on in the Etching Studio today. I’m just lucky all over.

And I will be getting a new print by Vincent Valdez since he is willing to make a trade. His new print is AMAZING! I can’t wait to have it in my home and show it off on my blog.

This and That

Guess what!?? Otis College of Art & Design is buying a copy of “1-SELF” for their Artists’ Book Collection. That is soooo cool! I am a happy clam. Woopiedoo for me!

I know I said I’d be back to tell you about the Rochelle Botello show, but instead you’ll have to read about it in my article that is coming out in the next issue of Coagula. The article is called “Down by the River on Tenterhooks.”

I am currently doing a residency at Self-help Graphics, so I don’t have a lot of time for the blog, but it’s Sunday, and I’m piecing together a bit of this and that of what I’ve started to write and didn’t have time to finish.

I really like this website where you can see the progress of a screen print by Gary Baseman. He recently did this above mentioned 24-layer screen print and sent out an email announcement the other day. Very cool.

Sunday is a lazy day for most, but Michael and I have been working in the back yard putting little stepping stones on the path that leads to my cactus garden, so we are getting sweaty. This evening we are going out with the Power Couple, Mat Gleason and Leigh Salgado and get some delicious grub and r e l a x.

I also talked on the phone with artist Jack Chipman, who I am planning to see next month and hopefully buy something from him. I love his work.

By the way, thanks to Reuben Sorenson for mentioning me on his cool blog. I also found this blog through his that I love called Chocolate Covered Xanax by 2 cousins from Humboldt County named Keri and Krisabel.

And lastly, I am STILL working on that painting that looks like a high school student painting, hardy har… (don’t worry I’m over it) and I am working and reworking it, and having fun with paint again. It’s starting to shape up and I’m about 3/4 done with it now.

(Here’s a detail)

Oh! And here’s a pic of one of Rochelle Botello‘s sculptural pieces called, “Oh Dear:”

Okay, gotta go. Bye.

The American Way

I have not much to say on the blog these days, but at least I’m fiddling with art again. I’ve been painting words onto the book pages of an American Way book from 1969 that was given to me by my friend, artist Baby Smith (thanks Beck!).

The American Way to True Fit Patterns was the industry standard in the grading business before computers took over. I suppose pattern makers who size the styles in manufacturing must still have to know the method because it was used in everything from Jordache jeans to high fashion runway clothing. I think Baby Smith found it in a dumpster somewhere and then she sent it to me as a gift. It sat in my studio for a couple of years until I was moving and I put it in the garage sale pile. Then the day of the sale my friend Beth Elliot came over and forced me to keep it. She said I could be making drawings on top of the pages or use it for reference in my art. Duh! She was right. I found a use for it after all.

Click here to see all of them. Some of them get a little weird, and I’m still working on them.

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I also saw Rochelle Botello‘s show at Me & You Variety Candy Los Angeles
today. More on that VERY special occasion as soon as I get some food and sleep.

2008 Whitney Biennial Los Angeles Heavy

The 2008 Whitney Biennial is Los Angeles Heavy

Congratulations to these Los Angelinos:

Edgar Arceneaux
John Baldessari
Walead Beshty
Jedediah Caesar
Harry (Harriet) Dodge and Stanya Kahn
Shannon Ebner
Amy Granat and Drew Heitzler
Rashawn Griffin
Fritz Haeg
Patrick Hill
William E. Jones
Alice Könitz
Charles Long
Lucky Dragons Luke Fischbeck
Daniel Joseph Martinez
Rodney McMillian
Julia Meltzer and David Thorne
Matt Mullican
Ruben Ochoa
Kembra Pfahler
Stephen Prina
Michael Queenland
Jason Rhoades
Ry Rocklen
Amanda Ross-Ho
Eduardo Sarabia
Frances Stark
Mika Tajima
Mungo Thomson
James Welling
Mario Ybarra Jr.

These artists were either born in LA or they live here now, or both. I’d say Los Angeles is on the map now.

And I was happy to see that one of my most favorite and influential artists was at the top of the list: Rita Ackermann. If you didn’t know who she was before, you will now. And you might be able to see how many artists were influenced by her work, since she was the first to do the style she does. She is a true original. My Hungarian side would like to think she is somehow distantly related to me. In some universe, I feel we are.

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© Rita Ackermann

Yesterday

Yesterday I went to speak with students in the Fiber Department at Cal State University Long Beach. The chair of the Department Carol Shaw-Sutton (an incredible fiber artists who makes stunningly beautiful work) invited me to give a slide presentation and lecture there. Carol and I have shown together at the Riverside Museum of Art in a show called Material Girls, which got a lot of press and was a very good exhibition with a full color catalog and a perfect essay by Shana Nys Dambrot.

Anyways, I was nervous, but I had a good time. Some of the students really responded to the work. I brought some originals, including my books, and one girl said All Done But None was the greatest book she has ever read in her life. Granted she looked to be only in her early 20s, but it was definitely the best compliment I’ve received about the book.

Carol’s assistant is a graduate student named Susan Porteous who is also an incredible book artist. And I mean incredible. She took me back to her studio afterwards and I was able to see all the books she has made during her Master’s program, and I was just totally blown away at her originality and dedication. Her work is meticulous, and the handmade “books” are truly pieces of art. She has seemed to master letterpress, and uses found text within her art books, and plays with arrangements of making them thematic narratives by way of sculpting and using elements of bookmaking. She is going to be a Book Arts star.


© Susan Porteous

Afterwards, I saw my friend Kyle Riedel for a quick hug and headed out early to San Pedro for a meeting I had. I parked near my old studio at Angels Gate and watched the sun go down. My old studio, ironically used to be Carol Shaw-Sutton’s studio before it was mine and I thought about how we both read on out futon couches looking out into the sea. It was weird being there and seeing how a new artist is probably enjoying the hell out of the space now, as they should be. I’ll admit it was a little hard being there in the park and seeing how beautiful it is. A little hard is an understatement.

Awwww, isn’t that such a sad story? Ya well, get over it.

I’m slowly but surely getting back on my horse here in South Pasadena/Alhambra/El Sereno. It’s a pretty area. I have an amazing garden and this makes me happier than when I lived in my little house in Pedro. I’m just still trying to find my way. I have a little dream now about getting a cabin somewhere in Joshua Tree and just staying out there for weeks at a time and doing nothing but working. Kind of like a recurring residency retreat. It’s an idea, and it could wind up to be cheaper than renting a separate studio. We’ll see how it pans out though.


© Michael Phillips

chosen


What is Art But Escape? 2008, Carol Es.

I have some great news to announce. I was chosen for the 2008 Maestra’s Atelier at Self-Help Graphics! There are 10 women in all doing this special residency with Master Printer Jose Alpuche. I will be making a large edition (80-100), full-color serigraph that will be 20 x 26 inches. The project will be completed this summer, although I will have my prints by May.

For this project I will be focusing on the concept of memory. My subjects are my parents. The image began as a photograph that was taken the first time they came to visit me in my house in San Pedro in the winter of 2004. It is the first time they saw where I lived, my artwork, my life. I was snapping pictures of them while they sat in my office listening to a radio interview I did on KPFK earlier that year. My mother was nodding off as she listened. My father had no idea I was talking about him in the interview. Anyway, with these photos I was snapping, I was able to capture the essence of this in pictures: the essence of the moment and the essence of them as people separate and together. It is an image that engenders memory for me in a whole sense, and for a viewer who has no relation to the image. I began sketching from that photo and presented it to the curator of the 2008 Maestra’s Atelier program, Yolanda Gonzalez. She seemed to really like the concept and the sketch and so now here I am about to embark on this wonderful learning experience!

I wanted to also mention a couple exhibits out there that are worth taking a look at, if not valuable to your innards:

Christine Nguyen at Michael Kohn.

Rochelle Botello at Me & You Variety Candy Los Angeles.

Edith Abeyta at Wignall Museum Gallery at Chaffey College.

Mel Kadel at Richard Heller. (Opens Feb 9th.)

And then some new discoveries:

Jennifer Febbraro, I just bought this amazing and inspiring painting that I can’t wait to hang on my office wall!

Tucker Nichols, who’s art was all over the Space Rabbit Ranch house.

And Amy Wilson; an old discovery turns new again. Just been revisiting her site and reading her blog. Her blog is putting me on the right track again because originally my blog began a lot like hers. It should be a place to post my new work, works in progress, and artistic concepts. Sorry for the recent personal dramas. My work/life has an awfully thin line between them and I’m always working on making that line thicker. So I’m off to feed the line now. Bye for now.