When I say, “The wheels are a turnin,'” what the hell does that mean anyway? Is that just something to say?
No!
When I say, “The wheels are a turnin,'” what the hell does that mean anyway? Is that just something to say?
No!
I’ve been taking it “easy” this weekend by not over working. I spent some time with my nieces yesterday, along with my brother, but we didn’t end up doing quite what be planned on doing since I got a flat tire.
I have been slowly putting light, transparent layers on the aleph painting between working on various Kickstarter rewards. I think this is where I left off last we spoke.
This is MY blog.
I can share whatever I want to. I can say whatever I want. I can withhold any information I want to. I can post whatever, and take down whatever, on a whim, or whatever. I am the master of my own universe.
Anyone can read my blog. They can skim it. They can subscribe, unsubscribe, or sit there with their browser window open to it at all times and wait there until I post something new – as if I actually have something interesting to say.
People can tell me to my face that they read this thing. They have the right to not mention it too, or even lie, or not even know it exists.
They can read it and thoroughly dislike me, the way I write, my sense of humor, and think whatever they want about me. It’s totally their prerogative to judge me however they please. It’s my right to prefer they didn’t. I am not one of these people that say I don’t care what people think of me. I’m either not old enough to feel that way yet, or just too neurotic and self-centered to ever feel that way. I’m not sure which.
I was realizing today that the more you put yourself out there, the more you run the risk of being hated.
There was a discussion among artists about who the biggest artist celebrity was. Was it Warhol? Picasso? DaVinci, Dali, Michelangelo…? It’s so amazing to me how hated Picasso and Warhol are, which tells me that they are probably the front runners. And I guess this happens with actors too. The more people that know you, the more likely you’re going to get haters along with your fans. I know I’m not a fan of any actors. Not many anyway. Not that I’m a hater. But this is the risk you run putting yourself out there.
I’m a hater of celebrity though. I suppose that’s more about media. How is Britney Spears coming out of a Starbucks with 10 extra pounds on her NEWS?
Yet, I seek out media for myself. I wouldn’t care if it was good or bad. Sure, I prefer it to be good, but you know what they say…
Why do I want this? Well, I want to promote my art, dummy. Why else? Okay, but who is the dummy, dummy?
For years – and I mean many of them, I use to think promo out = income in. Quantity equals quality, so to speak. It took me so long to learn how wrong I was and how it was the other way around.
It doesn’t matter how many eyes see your work, or how many names you have on your mailing list. That doesn’t mean jack shit if all those people are not the right people, and by the right people, I mean collectors, curators, and people that are genuinely interested in your work one way or another. Even if your list is composed of rich celebrities. So what? What good does that do you if they aren’t into YOUR art or what you’re up to?
Your people do not have to be “buyers.” They need to be supporters. A supporter can come in any fashion. Money is not all there is because moral support is actually more valuable than a sale. A sale only lasts as long as you have the money in your bank account. Remember that. Your painting is also gone. So maybe it’s one less piece to store, but you can’t sell it again. (You still own the copyright however – and that’s something.) My point being, the life of a sale is finite – very much so. A real supporter means more and grows with you while you grow.
Not only that, YOU grow while THEY grow too. They will promote you to their people. Your true supporters grow tentacles like sea anemones as they go through life. You never know what people they meet and what jobs they will swing in and out of over a decade. Trust me, I once had a guy that could hardly pay me for a $100 watercolor and two years later he got a job at a big internet company and ordered 10 large paintings for their offices, plus a personal commission.
Never count anyone out.
In another case(s), I have giant bouts of depression and often think I am just spinning my wheels for no reason – not that I can do anything else. Art is it. But I will tell you. If I didn’t have some of the key supporters that I have had, especially the ones that have been with me since the very beginning – who have never purchased a thing mind you – I would never have kept going on believing in myself.
Sometimes when other people believe in you when you don’t, you think, why? What does that other person see? I mean, you can’t really believe it, but you respect that person and think, they must see something, and that floats you through those times. It’s kind of like team work. You believe in you when no one will, then they will – back and forth – like both of you keeping a balloon from touching the floor.
So, stop counting your pieces of mail, or your haters, or how many people passed by your last painting. and don’t discount your mom. You never know what she’ll cook up for you. I didn’t have a mom like that, but my supporters sure made up for her. And I bet you have a support system either within your friends or family, or both, and they count.
Don’t get discouraged any time someone unsubscribes from your mailing list. That’s one less person that isn’t interested. Your list has been streamlined! Now you can target your promotions better. That’s the way to look at it.
Now, how did I get here from how I started this entry? I have no idea.
All I know is that I eventually wanted to get to the part where I was going to show you my inspiration wall in my office.
There’s too much to go over each thing with you, but up top is my favorite photograph of John, Yoko and Sean in a rowboat. It’s an original photograph!
I’m working in here today because I set up my “watercolor station” to work on the Special 16 Dans prints. I just got them in the mail and I didn’t want to waste any time painting them, since 12 of them are slated as Kickstarter rewards. That leaves only four left that I can sell, but I have no idea for how much. Maybe $60 a piece? Still not sure.
Here is basically what they are going to look like (this is a Photoshop mock-up):
They are 8 x 8 inches on #140 watercolor paper.
Okay, gotta go. Meg Madison is also coming to visit today, so see you on the flip-flop!
Just been working in the studio on and off. Thought I’d say hello to my blog.
Hello.
It took me some time to make the five journal sketches for the aleph painting. Seems pretty silly to spend the time when I’m going to be covering them up with paint! But I’ll admit, I did sorta keep that in mind while I was doing them. It was in the back of my head anyway.
I think they still turned out looking the same as always, but at first it was a little bit hard to get back into the swing of things. They always say…or someone said, inspiration will come to you, but it has to find you working. Or something like that. And so it did. After the second or third piece, it was like I was doing journal drawings everyday again, and it made me want to start that practice up again too.
A couple of the drawings have to do with the project and a few of them don’t. One of them is about snakes and Sleestacks for some reason. Don’t ask. I have no idea where this stuff comes from, but I’d like to do more, more, more.
Oh, if only more time existed on the Earth.
So, I stuck those drawings onto my canvas. This is a 34 x 34 inch canvas and I used a clear, matte acrylic polymer made by Nova Color when sticking these things on – I use it when sticking anything on to my canvases. It’s pretty thick and pasty stuff, sorta like cake frosting. It goes on white and dries clear, as you can see. That manila paper I’m using is #125, so I do need strong stuff that’s going to brush on evenly to prevent air bubbles and such. This polymer stuff is great for collage. You should look into it if you do collage.
I have to say, when I shot this picture wider, all it did was distract me. I mean, once I downloaded it into Photoshop. All the little things in the background started to freak me out – the little things that needed to be done. I started to obsess on them.
A. Like this box of photos. They don’t belong in the studio. They are supposed to be put into albums. I meant to do that in memory of my aunt, but I just don’t have the time for “extra curricular” activities these days.
B. That’s a box filled with Ethereal Research Laboratories Etherecals, Bacterribles, and Imaginodds that still need to be shoved into Erlenmeyer flasks.
C. A Blick return I need to pack up and bring to UPS.
D. An older work that needs special packing because of the pins sticking out of it. It needs to be packed up and put away before it starts to get dusty.
E. Those are two small white panels I’m supposed to do pin drawings on. They are pending commissions!
F. I need the top to that. I just need to fish it out and stick it back on there. I’m pretty sure I know where it is.
G. OMG! How long has THIS been like this?! This painting has the weight of a few of the same size paintings leaning up against it. Did I explain that correctly? It is facing the wrong way. The canvas side should be facing away from the table so that the weight distributes evenly. Now I have to move it all and it’s a bigger pain than it might seem.
Here’s the thing with this space. Pretty much everything needs to be put away in its place in order for me to have the space to work. I’ve found that I can’t really work on more than one painting at a time unless I want to be up to my knees in clutter – which I’ve done before when I’m really into things. I suppose I can let it ride. But I like to start with a clean slate.
H . That painting is white (obviously), and needs to be wrapped up and put away. (I had it out for a studio visit.)
Well, that’s what happened when I downloaded this picture from my camera. It sucks to be me.
Anyway, I put the first very light layer of white over the drawings, but you can hardly tell.
Later today I’ll probably do a really light beige in some areas and see what happens there.
I should do it before the day ends because tomorrow I’ll be receiving the Dan prints and will most likely be working on painting those new À la Dan Kabbalah and Special 16 Dans.