The Cups

So I am finally getting around to telling you – YOU – everyone, anyone that will listen/read about the day of the cups.

This is a big deal, so pay attention.

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I only have one sibling. My brother Mike. Many of you that know me, and that know him, know that we have a very complicated relationship. We have gone years without speaking to each other. We’ve gone through that fiasco many a time, for a couple of different reasons. And we have come back together many a time too, and so on. Sometimes by force. Sometimes because we wanted to try again, and try to heal, and let bygones be bygones. What the fuck is a bygone? Oh. I just looked it up. Yeah, that’s a difficult thing for me to do, or it has been for me.

It means disagreements. Let disagreements be disagreements? That’s funny. I mean, if you know me on a super intimate level. I have had a real hard time with that one. It’s only made life harder for me. Not anyone else.  I think about that now and I see that I am much better at that than I used to be. MUCH better. But I’ve always been one to nag at the other person in my relationships to “fix” these disagreements, when “fixing” them meant making them agreeable. LOL!

Anyway, I digress. A little. Mike and I have had our ups and downs. A lot of downs. Or should I say, a lot of rocky road in trying to reconcile enough of our current relationship so that we can just manage to love each other without it getting too complicated so that we’re not fighting all the time. That’s why playing music together is such a great idea for us. There’s just no bullshit there. It’s easy, and we connect and get along great. Nothing to it.

Well, recently, as you might know, I was part of this wonderful exhibition,  Intersecting Paths: Art & Healing at Hebrew Union College at USC, curated by Georgia Freedman-Harvey. What’s great about that show is that, even though it’s over, there is still an online archive of the exhibition here.

And one of the artists in the show was Ehren Tool. He makes these ceramic cups for the children of soldiers that have seen action, or have fallen in battle. At first, I thought he made these cups for Jewish soldiers, so I didn’t bother to give out my name when Georgia the curator was asking the artists in the show if they had fathers or grandfathers that served in war. But then, at the end of the exhibition, just a couple of weeks ago, there was going to be a ceremony where Ehren’s cups were going to be presented to the artists and their families, among others, and it was going to coincide with a partial exhibit across the street at USC Hillel, where there would be small portraits of fallen soldiers.

Anyway, at this point, Georgia asked me again if my father was a vet and I told her he was in fact a WWII vet, but he wasn’t a Jew. She told me that it did not matter. He married a Jew, he had Jewish children, and he helped in the war effort to free the Jewish people in Europe. It was like a giant light bulb in my head was short circuiting or something. Duh!

Then I had an idea to bring Mike into the ceremony, as he was my family, in fact, my only family and we were addressing our father. Why wouldn’t we both get cups?

I sent Ehren a picture of my father at 19 years old, sitting on top of an Army tank in northern Italy (Treviso) in the winter. He was a radio operator sent in the very last (88th) tank brigade. I also sent him a picture of my father with my brother when he was a baby. His first and only son. He looked happy, and proud. And my favorite pic of me and my dad when I was little sitting on my brother’s bike, wearing practically identically the same material (my dress and his pants).

I did not tell Mike that his cup would have a special picture of himself with Dad on it, so he was quite surprised at the end of the event when we went up to the front to get our cups.

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Very early into the event, when the speakers began reading off the names of the vets that were being honored on the cups, one of the women’s voice began to shake as she read the name of a man whose family she knew very well. She was not expecting to read the name and she began to cry.  Sitting in the audience and watching her trying to hold herself together, I suddenly lost control of my emotions. Not just for her, but for the fact that they shortly thereafter read my dad’s name, Private First Class Calvin J. Snyder, United States Army. And for the fact that I was sitting there beside Mike and we were there together as sister and brother, willingly there, together, happily – and this would have made our parents happy too. And more importantly, it made ME happy. And I just could not stop crying my eyes out.

Then, Mike started crying too. He got up to get us some tissues, or napkins rather. That was nice of him, but it did no good. I went through those pretty fast. I was a snotty mess the entire time until we got our cups and finally got the hell out of there.

We sat in his fancy car (he has a Porsche that I’ve often made fun of) and stared at our cups for a real long while, playfully fighting about whose was better. Mine was better, of course. But you can see Mike’s on his Facebook page.

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Ehren Tool has made and given away over 14,100 cups. He is a modest, humble, amazing, beautiful person and artist to have this purpose. I really wonder if he knows the effect he has on the families he touches and how an item such as this can be a means to speak about war and feelings and memories and bring loved ones closer together than therapy. Maybe he has an idea, but maybe he’d be too overwhelmed if he could take in all the appreciation we all feel.

What the Heels Been Going On?

Lots and lots. There’s never a dull moment around here. Just dull people.

Lists and lists. I’m trying to stay away from them, but they are still going on, but I’m glad to say they are tapering off a bit. I have Xed out so many out of the four pages I made for myself. So what’s left? Some things won’t make sense to you, but I can help you a little by telling you that I am back on the artist book I started what? Two years ago? Houses. I’m finishing up my back yard, tying up loose ends, I’m about to fix up Arctic Memory, and have a few new projects coming in from the back burners. That kind of means… Old chapbooks become new again. You’ll see.

McMannus & Morgan
Letterpress plates
Santa Barbara Sage
Bricks
Trims
Watercolor Pages
Pay Bills
Finish Edition Tags
Embellish etchings
Wire grid the climbers
Dentist
Letter to Elizabeth
Anne
Prep Panels
Jonathan
Arctic Memory
Rxs
Cut flower paper
4 digital red/blue pages
8 digital/embellished pages
Print Giclees
7 Gouache pages
8 pencil/ink/embroidery pages
Print colophon

And that’s my last page of shit-to-do.

Yesterday, I finished the Colophon for Houses. Wanna read it? Of course you do!

Houses is based on a poem written by Carol Es, copyright and published by Careless Press, © 2013. Special thanks to Bill Roberts, Stephanie Mercado, and Poli Marichal. This handmade book is limited to a signed edition of eight copies, all slightly varied.

 

Four of the inside pages, plus the front and back covers were letterpressed by Bill Roberts of Bottle of Smoke Press, Dover, DE. The two etchings were printed at Paper Doll Press in Highland Park, Los Angeles, CA (thanks Stephanie) with Master Printer Poli Marichal.

 

Papers used throughout are Artistico Fabriano, Rives BFK, Strathmore Artagain, Mohawk Superfine text, Moab Kayenta 205 gsm., various cereal boxes, and imported flower-pressed and gold, imported handmade papers from Nepal.

 

Each book contains an original drawing on black paper, a hand die-cut cover, two original watercolor paintings, four digital pages in Epson Ultrachrome K3 inks – although one of them (the one with the grass) is embellished by hand, two etchings, a block print and a Sumi ink painting on gold paper, and one original pencil and ink drawing with sparse embroidery with bits of linen fabric. Each book also includes a 5 x 5 inch, full color Giclée print of the painting, “Home is Near the Sea” on hot pressed Aqvarelle Arches watercolor paper. Originally 30 x 30 inches, this painting was created in 2001 in oil and paper collage on canvas. The print slips out from an acid-free, laid paper pocket adhered to the page.

 

Pages of this book are French folds, with the exception of the end papers. The binding was stab bound by Carol Es with waxed linen thread from Ireland.

In Love With the Line

I’ve been falling back in love with the line. I mean it’s been going on for a while now. I just haven’t talked about it. I suppose I was embarrassed, or figured it would be boring. Who wants to hear about the simplicity of drawing?

For years I’ve kept my little moleskin notebook by the bed. mjp got me my handy and wonderful Space Pen – that I swear by – which is obvious since I’ve talked about it in several blog posts now, and I used that for the purpose of jotting down my most obscure thoughts – as I’m falling asleep or waking from a dream. Moving my body one iota would take the images away, and fast. If I am on my back I can reach for that notebook and pen, and write upside-down if I had to. I wouldn’t have to move my head and shake my thoughts clean.

Then, I even made a little Artist’s book of a few of those drawings from that moleskin book: Horsebucket. I turned them all into gouaches first, to make them a bit more interesting. I felt I stayed true to the original lines. It was all about the line there…

But about six months ago or so, I started seeing Ellie Blankfort for career consulting and she had me keep another type of sketchbook (like I didn’t keep enough already) and that was the one that made me begin the realize how out of touch I actually was with the line. So, within the first few weeks of the exercises, I started to watch what I was doing. It was like starting all over again, like I was a child with a crayon, and now I’m just in love.

Whether it was apparent or not (it probably wasn’t), I used to be such a perfectionist about my lines. The thickness of them had to always be consistent. I’d spend so much time on a painting making sure of that. It was so hard to break away from this habit too, but my tremor got worse and there was just nothing I could do about it anymore. I had to learn to like the wiggly line. And I learned to appreciate other artist’s wiggly lines. I mean, I would kill to have one of Charles Schulz’s later wiggly Snoopys, wouldn’t you? I just saw that everyone had their own special hand and I began to love that too. It’s what makes me love art in a general sense.

So now I’m just so in love with the very basic line. It’s everything to me. I once hated that I “outlined” everything, and maybe everything doesn’t need to be, of course, but lately I’m just into it. My hand is skilled enough to paint a damn good line, tremor and all. I don’t have too much to worry about when it comes to that, and I can always go back and thin them out when I put the color down.

Here are a few I started over the past day and a half.

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The one on the big easel is an older painting from 2003. I decided I wanted to fling into the ocean, but beings that I don’t live anywhere near the ocean, I am going to salvage it and turn it into something better. It was once part of this horrible triptych called Full Person:

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It even exhibited a few times, and once at Bentley Gallery in Phoenix.

And here was that part on it’s own, which was called Not a Bulletproof Vest:

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Now I’m turning it upside down and going to make it a kind of pink and lime, keeping those stitches in. We shall see…

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I’ll do something with the pants too, but I will free the head, which is called Blush and see if anyone would like to buy it during the sale.

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WHAT? You don’t know about the sale? You better sign up on my newsletter list so you can get in on it before July 21st. I think this one will be 75% off. Uh…Yeah! No kidding.

Took a Week Off to Work Hard?

I haven’t been painting. Have I? I have not. I have been making pages, rather small pages, of lists. Lists of things to do. The kind that have little boxes in front of them so I can place an “X” in them once I have completed the tasks. The tasks run the gamut from taking care of a parking ticket to cleaning up my entire mailing list, which takes …I don’t know how long that takes. I’m still working on that, but I have to go through each name one at a time, edited their first and last name, and/or delete it.

As I’ve said before, I stopped doing this list-making for a few years, but I’m back on it now. I started to forget things and also, or maybe because, things weren’t getting done. Additionally, I felt like I wasn’t getting anything done in general even though I wasn’t twiddling my thumbs all day. I work, but at what? I guess it’s so I can remember in the past. It’s so I can feel some sense of accomplishment when I’m not painting. The paintings show me that I did something. But big woop.

It’s also so I can break the big things into littler things so I don’t procrastinate anymore (on the bigger things). Not that I’m a big procrastinator. I’m more of a worrier. I worry about procrastinating.

One thing that sucks ass is that every time I’m in the head space to write, it’s not when I have the time to sit here and write. Any readers I get here – that are still with me anyway – that haven’t left screaming from their machines, “Ahhhh, death by boredom!”  They just aren’t getting the best of my brains. I think of the good stuff when I’m out in the yard gardening or something, which I did a lot of this past week and especially over the last couple weekends.

It all started when I found grape vines along my backyard fence. This is alarming since grapes can kill your dog and my doggie is about as big as a loaf of bread.

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I got manic and tore them down and tried to find where they were growing out from, which was difficult. I found myself cursing at the cords coming out of the dirt and slicing them with my almighty sharp gardening cutters without cutting any of the other foliage. That fence is thick with a ton of other pretty things and it was hard not to hurt them, and not to cut all the wires that were set up for the grape vines which someone had obviously organized in a grid precisely carefully along the fence. I was going to need those for whatever else I was going to plant in its place. But, I managed to cut a few of the wires anyway. Better those than my fingers though.

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You know how one thing turns into another thing, which turns into another bigger thing, and then your life gets eaten away? Well, that’s what my backyard did to me this last week or so.

Along this part of the fence I planted some white and burgundy Bougainvillea and a few Marigolds in front.

I H-A-T-E  those Sunset magazines with all those pictures of perfect yards, expensive plants, beautiful patio furniture, genius landscaping with pristine river rocks between each pant (that happen to somehow be in bloom during the moment of the photograph), and not a single dead leaf to be found! Who are these people?

Once and a while, you visit a real home like this and you wonder, are they doing the work out there? Do they pay their gardeners double to help keep it up? Where do you find gardeners like that? Where do any rich people find their gardeners? Who is raking out the dead leaves stuck inside their rosemary bushes? Can that even be done? Or are they planting new ones every week? I’m serious! Drive through Beverly Hills once and a while and ask yourself this shit. In my case, I live by San Marino – far prettier than Beverly Hills. It’s on the way to Armstrong Garden Center, ironically, and I think about stupid crap like this.

Here’s a pretty good picture because you can’t get too close to it to see all the dead leaves in the bed of my cactus garden, but once upon a time there were a few more live ones in the back and I had even made a design in the rocks that’s now long gone because there is a tree  way above it that sheds dead leaves like crazy. Every time I clean it out, a few rocks went with it, so there really aren’t many rocks left, but it used to have red rocks on one side, river rocks on the other and a white kind of eye shape in the middle that divided them. It was cool.  I built it six years ago. It was a drained out fish pond when we moved in.

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Right now, it’s 1:25 PM. My gardeners are supposed to be here by 2:00, but they won’t be here. They come twice a month and cut the lawn. That’s all. If I want more, I have to ask them, even though they’ve been told to “always” keep the ivy away from the doors and windows. Once the ivy grows on the doors and windows, I have to go out there and ask them to cut it back. And the Mondays they are supposed to come, sometimes they won’t. Or, they will come at 3:00, 4:00, 5:00 – making me stay home all day because I have to let them into the back.

Anyway, I have a few more things I want to plant in the back yard and I think I will be done with it for a while. If these things live, that is. I always have a few causalities. My thumb is not exactly green. It’s a kind of mood-thumb. One day it’s black, the next it’s a kind of blue-green algae that I make a smoothie out of: a horrible-tasting pseudo-ephedrine thing I try to sell to my friends at every opportunity I can find.

Other than gardening, getting my car to pass the smog test, paying some bills, catching up on laundry, I was able to get the rest of the art supplies I needed for the rest of the year, although I still need to make one last trip to McManus and Morgan for the Houses book. I’m getting some of the golden handmade paper from Nepal, like the flysheets that are inside my All Done But None books. Still in love with it. Here is the “mock-up” for that page, which will have a linoleum block print on it.

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And speaking of books!…I just got word from Chance Press that the Neil Farber | Carol Es book will be out right at the beginning of next month and they are now taking discounted pre-orders at the crazy low price of $75 before the release. After that they will be priced at $100. There are only 18 for sale. It’s a very limited edition, so if you want this utmost fantastic work of art-as-book — what the hell are you waiting for????

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Finally, tomorrow is mjp and my 14th anniversary, so we are going away for a couple of days to a 100-year-old resort later in the week. We found a trustworthy place to board our Gemma since every time we have left town in the past two years, we have taken her with us every time.  The place is called Wagville and she has been going there for daycare every other day for more and more time to get acclimated to the place. We should have thought about this a long time ago because she is such a terrified little pup, this seems just the right kind of medicine for her. She’s been having a lot of fun and now, so shall we.

Anniversary advice that you didn’t ask for:

Fourteen years seems like nothing. Seriously. For all of you that haven’t made it very long yet or ever, it’s really no big thing. Love changes. It gets different. It gets BETTER. New love is for suckers. If you fight a lot, that’s not a good sign. Ha!

And for those of you that have made it much further as easily as we have, you know what I mean.

All those boring things that old people tell you are true: Trust, communication, and same sense of humor.

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