40

Well the other day I turned 40, and boy do I feel old! Not really. I kid you. I do feel different though. I feel better. I feel better to leave those pesky 30s behind me. What good are they? Except for confusing the hell out of us. I think I was freaked out for the entire decade. Panic attacks, worry, redefining myself… Exhausting! Today I feel sick and tired of that shit and I just am happy to begin the best part of my life. 40 is da shit I tell you! 40 crushes the little girlyman 30s and ignorant, glib-ass 20s. Poop on you hot, fresh youngins with your perfect bodies and bluetooths – being handed prestigious solo shows fresh out of art school. Ya’ll aint got nuthin on me, I’m 40! Four-oh! And I can kick, streeetch aaand kick! I’m forty years old! (Okay, maybe I can’t kick so well, but I can almost touch my toes.)

The only thing I still have to schlep around with me from my 30s are these 30 extra pounds. What is with that? I know that some of the weight comes from medications I have to take, but why should my laziness and indulgences in ice cream be so punishing? I remember ingesting nothing but candy, peanut butter and cigarettes throughout my 20s and never gaining so much as an ounce. In fact, I think I lost weight. And in my 30s, the pounds came at me slowly but shirley. Fuckin’ Shirley. She’s such a see-you-next-tuesday.All of my 30s I lamented my wondrous smoking, thinking that was my ticket to skinny. I considered taking it up again, but alas I probably would have just been a fat smoker opposed to the smelly, musty waif I once was. Oh how youth is wasted on the moronic young.

Okay I think I’m done ranting and raving about my pot belly. I need to go to my Spanish lesson and get ready for a special visitor that’s flying in on a 6pm flight from St Paul.

That white painting I’m working on is coming along, but I haven’t had as much time to work on it as I would have liked. Here it is, more than 3/4 done with the painting. It will need about 45-60 hours of sewing — at least. The mini garment patterns are in Hebrew. It says Stop apologizing for who you are.

work and blabbering

Hola!

I’ve been buried in work and beyond. I started this painting a couple weeks ago after months of planning it out, on and off – scribbling in my little moleskin where I record my ideas and dreams. I don’t have it readily available as much as I need it. I’ve even thought about rigging it around my neck.

Attaching the bottom half (which is very thick, bumpy fabric) was the hardest part. And I went through more than a gallon of gesso and white paint to start getting it white. Fabric sure likes to suck up water based paint, so I had to change it up after a while and use layers of polymer and then enamel. Once it finally dried in the sun I started layering it with white oil paint. The people at Dick Blick thought I was a nut, since I kept going in there to buy tubes of white. Luckily, only the top layers are the 30 dollar tubes, or else this painting would have put me a lot more in debt.

So the underpainting is done and I’m just starting the fun parts on the top half, bringing out the cartoons and garment patterns that form Hebrew writing, neither which you can really see in this god-awful photo. The Hebrew says Stop apologizing for who you are, an affirmation I’ve been using a lot lately. I’m also putting bits of my Great grandmother with a tree growing out of her head, and my mother getting electric shock treatments. But I want the overall composition to feel tranquil and cozy in a freezing, arctic tundra kinda way.

Oh, so speaking of debt, I just put an unmentionable amount of money into fixing my car. It was cheaper than buying a new car, but enough to buy a certain kind of car. But I love my little CRV, and it needed new struts, arm bushings, a radiator and some pump that works with it, a wheel alignment, and a little bit of this and that besides. I was without car for a couple days, and picking it up and paying for it depressed me for another couple of days. But that’s life.

When I picked it up, MJP and I went to Joshua Tree again. I know that sounds crazy in this heat, but we went very very early in the morning, and as usual, it was gorgeous, peaceful and quiet.

The $2 Bill Show at the I5 gallery at the brewery was nice. Lots of really great work. My favorites were mjp‘s, Leigh Salgado‘s, Yaya Chou, and Reuben Sorenson‘s – who painted on both sides f the bill. It was a great show. I hope Mat Gleason does it again and perhaps make sure that no one signed the front and make people buy the work without knowing what they get, like SMMoA’s Incognito‘s events.

I have to make more coffee. I’m falling asleep typing this. It must be damn boring to read if I’m bored typing it.

More later. Addios, y hasta pronto. (Yes, I am finally learning how to speak Spanish.)

Sleepy Working Weekend

I’ve been tired. Having a hard time getting enough sleep, so my work schedule has been going in spurts whenever I get a good dose of caffeine in me.

I have been changing too. Inside, I’m feeling a change. I’m about to turn 40. I think I’m finally putting aside a lot of baggage and issues, like caring what people think. That’s a big one, but it’s been like a little handbag and not the anvil case it has been.

Getting back into the swing of painting again, I’m starting to stress less about what to create, and rather letting myself create. I think this has a lot to do with trusting myself and giving the id permission to indulge, with little need for control.

Today I’m working on this green piece… Get it? Greenpeace?? Okay, maybe that was a stupid joke. I’m working on what seems to be a greenish colored canvas. (34″ square) It’s turning green/gold/brown/black/white. I’m just letting myself paint without too much in mind but a skeleton of an idea. It started with green drippings over the letter Pei, a car crash and some floating heads. Go figure.

I also have been fucking around with what seems to be some kind of doll. It’s so much easier to sit, relax, and sew than it is to hold up my arms and paint for long periods. I am hovering between doing both, while thinking about what to do with my 2-dollar bill.

More blabbering

Here is another new panel piece from the Black Hole series. I guess it’s a “series” now since I keep repeating myself. Perhaps all “series” is when an artist won’t shut up about something specific. I think that’s the technical definition anyway.

Speaking of defining things with stupid art language, this is a great little quiz on C-Monster. I finally got a few non-artist friends to see why I write in that stupid way that I do sometimes.

So I have no reason to be sad today. I am making some small sales from the Bookish show, and I just got word that Sweetnsour Pie was added to the Artists’ Book Collection at the Museum of Modern Art Library in New York. MOMA baby! Fucken-A! Woot-woot and a hoot ‘n a-hollar.

I had planned on making quite a few of these Black Hole panels, and I think I still will, but not on all these panels I recently purchased. I’m not going to name names, but the guy has usually made some very high quality things for me. This time I am pretty unhappy and can not bring myself to keep working as planned on the remainder of them. Unless I come into some money to replace them with my other guy’s panels, I’m going to have to go another way with these. It’s due to the birch finish I think, although, it could be the new sealer I used, or the thickness of the face of the panels — I’m not sure, but I just won’t try to make more of these. I do not like them Sam I am!

Already June

Oh my god, I can’t believe it is already June, can you? How did May slip through my fingers like a slippery little worm? I guess time flies when you’re very busy wasting your time working on a lot of somethings and nothings.

I am known to be hard on myself, but I must to admit I could have been working harder than I have been. I’ve had really productive days, followed by lazy days. It probably evens out to almost normal, yet still with a leaning towards Workaholic Land.

Over the weekend I got Picklebird updated quite a bit. Still don’t have the database running, but at least there’s a presence there now. If you are reading this and go there, please join the mailing list and post comments on the blog. I’m building it all up from scratch again and it will take some time before it gains the same buzz that it once had in all its glory. Glory be to the pickle god, amen, ahh-choo!

Yesterday I found out that I did not get the artist residency I applied for in Joshua Tree. I am so bummed about this. I was so looking forward to carting all my shit out into the quiet desert away from everything, bring my dog and just paint and stare at the stars. I ended up asking the committee if I was even close and they told me I was extremely close and of the finalists. That made me feel both better and worse.

I managed to squeak out another little panel and am almost done with another. Meanwhile, I’m pretty sure all the painting is completed on the Lapland piece. It’s finally dry enough to poke the guide holes for the stitching, so I’m finishing that today to get started on sewing my ass off around that thing. It’s not going to be easy. I can’t do it in the garage, and it takes up most of my office/studio. Going behind it/in front of it over and over is going to be a major bitch. But maybe I’ll finish that little panel first so I can move that whole table it’s on out of the room completely. Thinking out loud here, sorry if you are board to death. You wanted to read this far. Blame yourself, not me.

Saturday I went down to San Pedro to visit my friend Andrea Lien and it was weird being at her studio at Angels Gate. Will I ever stop lamenting my old studio? Probably not until I get a really cool studio again. My wish is to get a very small, stand-alone building in the Garvanza area of Highland Park, El Sereno or South Pasadena. I want it to look like a retail space, but make it so you could not see in from the street. I’d paint the building olive green with no signage, but perhaps there would be an inconspicuous name of the studio. I’d have to see the studio to name it. It could be a cool name like, “Studio Wench” or I may name the building “Veronica.” It all depends.

While I was there at Andrea’s, I took some Holga pics of “Loghenge,” a structure built for Native Americans to hold ceremonies on top of the hill in the park. It used to be what I saw out my window everyday.

Sorry no Holga pictures yet. Those will be cross-processed and that will take a few weeks.

Let me go snap a pic of the latest panel and post it. Hold on a sec…

Okay I’m back. Here:

It is 20 by 16 inches: oil, paper, and pencil on birch. No name yet.